Are you still playing your flute?

ARE YOU STILL PLAYING YOUR FLUTE?

Zurinah Hassan

Are you still playing your flute?
When there is hardly time for our love
I am feeling guilty
To be longing for your song
The melody concealed in the slim hollow of the bamboo
Uncovered by the breath of an artist
Composed by his fingers
Blown by the wind
To the depth of my heart.

Are you still playing the flute?

In the village so quiet and deserted
Amidst the sick rice field
While here it has become a luxury
To spend time watching the rain
Gazing at the evening rays
Collecting dew drops
Or enjoying the fragrance of flowers.

Are you still playing your flute?
The more it disturbs my conscience
to be thinking of you
in the hazard of you
my younger brothers unemployed and desperate
my people disunited by politics
my friend slaughtered mercilessly
this world is too old and bleeding

Masihkah kau bermain seruling
walau waktu telah terlewat untuk kita bercinta
aku semakin terasa bersalah
melayani godaan irama
lagu yang tersimpan pada lorong halus buluh
dikeluarkan oleh nafas seniman
diukir oleh bibir
diatur oleh jari
dilayangkan oleh alun angin
menolak ke dasar rasa.

Masihkah kau bermain seruling
ketika kampung semakin sunyi
sawah telah uzur
waktu jadi terlalu mahal
untuk memerhatikan hujan turun
merenung jalur senja
mengutip manik embun
menghidu harum bunga.

Masihkah kau bermain seruling
ketika aku terasa mata bersalah
untuk melayani rasa rindu padamu
di kota yang semakin kusut dan tenat
adik-adikku menganggur dan sakit jiwa
bangsaku dipecahkan oleh politik
saudara diserang bom-bom ganas
dunia sudah terlalu tua dan parah.

Di sinilah berakhirnya percintaan kita
kerana zaman sedang menuntut para seniman
hidup di luar dirinya.
~ Zurinah Hassan
http://zurinahhassan.blogspot.com

 Synopsis

This poem is told from a first person point of view, where the persona, reminisces her feeling of guilt, missing the beautiful melody of the bamboo flute played by her beloved long ago. She later questions and wonders if the flute is still being played now, as the village is now under populated and the paddy field is in a deplorable state. She mentions that, nowadays, relaxing and savoring the beauty of nature is a rare luxury. In the final stanza, she questions for the third time, whether her beloved is still playing the flute.  This time around, she admits that she couldn’t help but on the contrary, she feels guilty to be thinking of their love at their difficult times. The hardships portrayed here are unemployed young men, people disunited by politics and a ‘dying’ world.

Setting

The poem is set in a rural Malay village, which is undergoing a change. It is a quiet and deserted village. The paddy fields looked barren. Nevertheless, the ‘luxuries’, such as watching the rain, gazing at the evening rays, collecting dew drops and enjoying the fragrance of the flower, still exist in the rural.

Themes

·         Adapting to changes. This is inevitable. We need to adapt to all kinds of social, economic and political changes. In this poem, the flutist is aloof to changes happening around him.  

·         Love and appreciate the arts.

·  

Moral Values

·         Aware of your family commitment.

Everyone needs to take responsibility to the changes that take place in life and act accordingly. The flutist does not succumb to the changes around him. He clings on to his roots. He is not aware of his family commitments. The persona, his former lover has progressed in life while he still leads his conventional lifestyle.  

·         Get your priorities right.

Eg: Village nowadays is left quiet and deserted. Rice fields are left barren, but the flutist continues to play his flute. He needs to realize there is time to play and time to work. Hence, one must get his priorities right.

Source : 

Curriculum Development Division.